The common cathode gain stage employs a 12J5GT medium mu triode (V2) with self-bias and a cathode bypass capacitor to maximize the voltage gain. The output is taken from the plate of this tube and directly coupled to the grid of the 6R7G/GT cathode follower stage (V3).
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Preamp is one of the most significant and unique Tru-Tron features. When switched on, it drives the filter independently from the envelope, enabling muscular, overdriven tones that work with the envelope more seamlessly and harmoniously than a fuzz, distortion, or overdrive would. This opens up a whole world of heavy soloing textures.
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Ok, I made the same mistake regarding the 6350's. Both the gain stage and Mu follower were designed for 5751's. Least the owners manual says so. The gain stage was optimized for a Sylvania 5751 and the cathode stage for the RCA 5751. I have all RCA's in mine, but you can always experiment.
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I used the LF network to dc couple the second stage to the output cathode follower. I also changed the output coupling cap to 2uF to keep well away from the low end of the RIAA characteristic. This will feed into the 100k pot of my "passive pre-amp" (I HATE the term, but that seems to be what everyone's calling it these days) section.
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The Pharaoh has a tube mu-follower preamp section, a MC/MM phono section (with 40 or 60 dB of gain), a tube headphone amp, and a Hypex-based Class-D power amp section that delivers 175W into 8 ohms and 350W into 4. According to Rogue, its damping factor is >1000 and it uses “ultra high-quality components throughout.”
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The RP-1 is a hybrid design: Its circuitry includes two 12AU7 or ECC802 tubes in the final output stage, in a mu-follower circuit. O'Brien explained: "I use a mu-follower in most of our tube preamp designs because it offers excellent specs and sonic performance. Really, much better than typical cathode followers and other popular circuit types.